Property of the week: 185 Morgans Mill Rd, Bearii
The expansive estate is being offered for sale for the first time in 18 years
2 min
Finding the time to hit the fairway isn’t a problem for anyone sporting their own golf course at home. Clarendon Eyre alongside the iconic Murray River in northern Victoria is a rural retreat with a difference — it’s home to five holes, complete with manicured fairways, genuine bunkers and a turquoise ornamental lake.
The Miller family bought the expansive estate as a traditional farm 18 years ago and set about turning the 105ha parcel into an all generations playground. Almost two decades later, Josh Miller and his wife Steph Claire Smith, a fitness influencer who recently appeared on Forbes’ 30 Under 30 list, got hitched at the picturesque property that holds a special place in their hearts.
“My wife and I first met there after her parents bought a property one paddock across. She was 12, I was 15, and in 2019 we had our wedding at the property so it’s really full of memories for us.”
The project manager and photographer is one of four siblings who grew up at Clarendon Eyre.
“I spent a lot of my life riding motorbikes and playing golf there. When we first bought it, there were a few very basic sand scraped greens. One day our Dad, who’s a retired horticulturist, bought a bag of golf balls off eBay and we started hitting them into the bush, but he had a better idea. One green turned into two, then three, four and five!” Miller adds.
Designed to replicate Augusta National, the rare private course features Santa Ana couch and Mackenzie Bent grass and has been meticulously maintained by a full-time team using top-tier equipment, all negotiable in the sale.
Nathan Verwoert and Robert Fletcher of Forbes Global Properties are marketing the 105ha property with a price guide of $8 million to $8.8 million.
“I’ve been in this job since 2009 and I get to see some pretty beautiful homes, but this just blows your mind. When you arrive, the property just comes out of left field and is such an oasis. It’s certainly one of the most unique properties I’ve ever had the pleasure of selling,” Verwoert says.
“It’s been a real labour of love for this family, who over a couple of decades have improved it and created their own sanctuary over the course of the time.”
Clarendon Eyre’s main residence is a tale of two houses, one is the former Mornington Art Gallery while the other was a weatherboard from Malvern in Melbourne. Both were relocated and connected to create an impressive seven-bedroom, five-bedroom homestead.
To marry the pair of properties, an architectural ‘bridge’ was conceived and now plays host to an expansive formal dining space that caters for up to 18 people and flows out to a shady alfresco area.
Neighbouring the landmark river which separates the two states, the Bearii estate is flanked by grand red gums, palm trees and space for rolling paddocks. Beyond the unique personal golf course, the land also houses an upgraded tennis court, a basketball court, a heated pool, spa and an Olympic built-in trampoline.
Following a recent refurbishment, the house has high-end features including Kustom timber floors, porcelain bench tops, automatic DIY Blinds, Control4 smart technology and Sonos sound system throughout including the home cinema.
The Bearii property is approximately a three-hour drive, or 45 minute helicopter journey, from Melbourne.
Clarendon Eyre is listed via an expressions of interest campaign through Forbes Global Properties with a price guide of $8 million to $8.8 million.
For Central Element, the start of work at Pearl represents another step in the company’s growing eastern suburbs pipeline.
All three vehicles will form part of a broader charitable initiative benefiting Big Brothers Big Sisters of America, the American Red Cross and Starlight Children’s Foundation
Jack Freeman believes the most compelling interiors are not decorated, but collected. The FREEMAN & CO founder creates layered, personal spaces shaped by art, travel and craftsmanship.
4 min
For Jack Freeman, a compelling interior should not look as though it was completed in a single shopping trip.
The founder and designer behind FREEMAN & CO prefers rooms that develop through art, travel, commissioned furniture and objects collected over time. It is an approach that treats the home less as a decorative project and more as an evolving portrait of its owner.
“I am a true believer in collecting versus decorating,” Freeman says.
That distinction underpins the international practice he has built across private residences, hotels, property developments, yachts and private aviation. Its projects stretch from Point Piper, Vaucluse, Circular Quay and Toorak to Mayfair, Bel Air and the Caribbean.
Although the locations and architecture vary considerably, the work is connected by a restrained design language. Natural stone, warm timbers and sculptural furniture establish the foundation, while art, bespoke lighting and individual objects give each interior its identity.
The objective is not to overwhelm a room with obvious symbols of expense. It is to create an environment that feels calm, layered and particular to the people living within it.
“The greatest luxury isn’t about excess,” Freeman says. “It’s about creating an oasis where you come home and feel immediately grounded — effortlessly chic and deeply personal.”
Collecting instead of decorating
Decorating can imply the completion of a room: selecting the required furniture, filling the available walls and producing a coherent finished image.
Collecting is less conclusive.
A collected interior has room to change as its owners travel, discover artists, inherit pieces or reassess how they use their home. Its character comes from the relationship between objects rather than adherence to a single brand or season.
That does not mean placing unrelated pieces together without discipline. The designer must understand scale, proportion, material and provenance well enough to create a dialogue between them.
A contemporary artwork might sit beside a historic piece of furniture. A precisely detailed new interior may be interrupted by an irregular object made by hand. Smooth stone can be balanced by timber, textiles or a patinated metal surface that becomes richer with age.
The tension between those elements is part of the appeal.
For Freeman, art is not an accessory to be added once the furniture plan is complete. It forms part of the architecture and atmosphere of the room from the beginning.
Lighting is considered in the same way. Beyond its practical purpose, a bespoke fitting can operate as a suspended sculpture, changing both the room’s composition and the way its materials are experienced after dark.
A design perspective shaped by travel
International travel plays a significant role in Freeman’s creative process.
Design fairs such as PAD Paris and Salone del Mobile in Milan provide opportunities to encounter emerging designers, established galleries, new materials and collectible furniture away from the filter of social media.
More spontaneous discoveries can prove equally important.
“Sometimes it’s the simple things,” Freeman says. “That piece found on a shopping trip with a client in Paris, stumbling across an artisan’s workshop, or a special memory that forms the narrative of the story.”
Objects selected during travel bring more than visual interest into a home. They carry an association with a place, maker or experience, giving the client a connection that cannot be reproduced by ordering an entire interior from a catalogue.
Freeman’s influences are international, but his projects are not conceived as replicas of Parisian, Milanese or Californian style. Each commission responds to its architecture, setting, natural light and the daily lives of its occupants.
A waterfront Sydney residence demands a different treatment from a Mayfair townhouse. A Caribbean estate shaped by brutalist architecture and reflecting pools calls for another response again.
The designer’s role is to absorb those references without allowing them to overwhelm the individual qualities of the property.
Designing the complete experience
FREEMAN & CO extends beyond conventional interior decoration.
The practice’s stated services include interior design and architecture, project management, property acquisition, development advice, concept design, documentation, furniture and lighting design, procurement and art curation.
That breadth allows the team to become involved before a room’s dimensions and finishes are fixed.
Early participation can be important at the top end of the residential market, where architecture, landscape, interiors, technology and art must operate as one environment. Decisions about ceiling heights, wall dimensions, sightlines and lighting can directly affect where art is installed or how custom furniture is proportioned.
The practice can then carry those decisions through to procurement and final installation, maintaining the design narrative as a project moves between architects, builders, specialist craftspeople, dealers and suppliers.
Its residential portfolio includes a South Coast retreat conceived as an escape from urban life, a Caribbean estate with reflecting pools, an East Coast-inspired Palm Beach residence and a Mayfair townhouse organised around an expressive drawing room.
The studio also says it has worked on highly tailored Sydney residences with values exceeding $100 million, although the private nature of such commissions means individual addresses and clients are not always disclosed.
A home that can keep changing
The risk in creating a perfectly resolved interior is that it can become too static — a composition that looks exceptional in photographs but leaves little room for life.
Freeman sees the home as something that should evolve with its owners.
“I love the evolution of design,” he says. “We are talking about people’s lives, and as they evolve, so too should their private sanctuaries.”
That evolution might involve adding art, reupholstering a significant piece, adapting rooms as a family changes or making space for objects gathered through future travels.
The original design needs to be strong enough to accommodate those layers.
This may be the clearest expression of Freeman’s approach to luxury. It is not simply access to rare stone, collectible furniture or commissioned craftsmanship. It is the creation of a personal environment whose meaning deepens rather than diminishes with time.
Fact box
- Designer: Jack Freeman
- Role: Founder and managing director
- Practice: FREEMAN & CO
- Base: Australia, with international projects
- Project locations named by the practice: Point Piper, Vaucluse, Circular Quay, Toorak, Palm Beach, the NSW South Coast, Mayfair, Bel Air and the Caribbean
- Sectors: Private residences, hotels, residential developments, private aviation and superyachts
- Services: Interior design and architecture, property development, project management, property acquisition, documentation, furniture and lighting design, FF&E procurement, interior dressing and art curation
- Design philosophy: Collected, personal interiors shaped by art, craftsmanship, travel and enduring materials
- Website: free-man.co
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