Castle in surburban Melbourne on the market
Australia’s castles are rare, but this one is real. Built in 1849 and held by the same family for 50 years, Overnewton Castle in Melbourne is now seeking its next custodian.
3 min
Australia’s castles are few and far between, and the opportunity to buy one rarely pops up. There is, however, now a bona fide 35-room chateau for sale in suburban Melbourne.
Listed for the first time in half a century, Overnewton Castle in Keilor, north west of the city, has launched to market through Sean Cussell of Christie’s International Real Estate with a $6 million to $6.6 million price guide.
The 176-year-old Scottish Baronial-style property has been home to the Norton family for the past 50 years, but was originally built for Scottish settler, grazier and former Mayor of Keilor, William James Taylor.
On a sprawling 2.25ha estate surrounded by rolling grounds filled with sculpted gardens and 170-year-old elm trees, the ivy-clad seven-bedroom three-bathroom residence is layered with a blend of Scottish, French and English influences.
Inside the heritage-listed mansion, there is a grand ballroom seating up to 150 guests, a lavish dining room, and a private chapel that was converted from the original billiards room.
Gastroenterologist Dr LJ Norton and his family have invested five decades in Overnewton Castle, partly preserving its period features while also updating the house for the 21st Century. After a devastating fire in 1979, the Nortons upgraded the infrastructure, installed mains water and access roads, and created a 100-vehicle car park.
Many of the 1849 estate’s original features, including drystone walls, period fireplaces and the dramatic western turret – accessed via a 40-step spiral staircase with a mahogany handrail – have been meticulously maintained. Even the turret’s slate “fish scale” roof tiling and ornate wind vane are straight out of the 19th century.
“Overnewton Castle is not just a property; it is our home and a piece of local history that we have cherished for 50 years,” says Norton family member and managing director of Overnewton Castle, Emma Stott.
“Living here, respectfully updating the facilities and operating our business has been a labour of love. As a family, we have created so many fond memories here, as well as played an important role in countless weddings and other events hosted on our grounds.”
In addition to hosting weddings at Overnewton Castle, the Norton and Stott families also run historical tours and high teas on the property.
Cussell says the unique listing represents an opportunity of historical significance. “Overnewton Castle is one of the finest examples of Scottish Baronial architecture in the Southern Hemisphere and an ideal setting for a private residence, luxury retreat, education facility or event venue,” he explains.
“It represents a rare convergence of architectural grandeur, cultural heritage and enduring family legacy. The listing truly is an extraordinary opportunity to own a piece of Australian history.”
Overnewton’s cultural footprint reaches beyond local tourism, with the castle making its mark in Australian cinema. It played a role as the fictional Monclare mansion in the 1982 cult horror film Next of Kin.
Earlier this year, the period Victoria Racing Club nominated property to display the Melbourne Cup during its prestigious Lexus Melbourne Cup Tour, and in 2024, the site was also a finalist in the Victorian Tourism Awards.
Beyond the grand residence, there are several restored outbuildings suitable for entertaining or accommodation, including The Stables for up ten guests, The Loft which sleeps eight, The Cottage that accommodates six, and The Cabin with space for four people.
The stately address is soon to become even better connected with the forthcoming Suburban Rail Loop and Sunshine Superhub infrastructure projects, improving access to the city. Overnewton is about 20kms from Melbourne’s CBD and 8kms from Melbourne Airport.
Overnewton Castle is listed with Sean Cussell of Christie’s International Real Estate with a price guide of $6 million to $6.6 million. The expressions of interest campaign closes on November 21 at 3 pm.
For Central Element, the start of work at Pearl represents another step in the company’s growing eastern suburbs pipeline.
All three vehicles will form part of a broader charitable initiative benefiting Big Brothers Big Sisters of America, the American Red Cross and Starlight Children’s Foundation
Jack Freeman believes the most compelling interiors are not decorated, but collected. The FREEMAN & CO founder creates layered, personal spaces shaped by art, travel and craftsmanship.
4 min
For Jack Freeman, a compelling interior should not look as though it was completed in a single shopping trip.
The founder and designer behind FREEMAN & CO prefers rooms that develop through art, travel, commissioned furniture and objects collected over time. It is an approach that treats the home less as a decorative project and more as an evolving portrait of its owner.
“I am a true believer in collecting versus decorating,” Freeman says.
That distinction underpins the international practice he has built across private residences, hotels, property developments, yachts and private aviation. Its projects stretch from Point Piper, Vaucluse, Circular Quay and Toorak to Mayfair, Bel Air and the Caribbean.
Although the locations and architecture vary considerably, the work is connected by a restrained design language. Natural stone, warm timbers and sculptural furniture establish the foundation, while art, bespoke lighting and individual objects give each interior its identity.
The objective is not to overwhelm a room with obvious symbols of expense. It is to create an environment that feels calm, layered and particular to the people living within it.
“The greatest luxury isn’t about excess,” Freeman says. “It’s about creating an oasis where you come home and feel immediately grounded — effortlessly chic and deeply personal.”
Collecting instead of decorating
Decorating can imply the completion of a room: selecting the required furniture, filling the available walls and producing a coherent finished image.
Collecting is less conclusive.
A collected interior has room to change as its owners travel, discover artists, inherit pieces or reassess how they use their home. Its character comes from the relationship between objects rather than adherence to a single brand or season.
That does not mean placing unrelated pieces together without discipline. The designer must understand scale, proportion, material and provenance well enough to create a dialogue between them.
A contemporary artwork might sit beside a historic piece of furniture. A precisely detailed new interior may be interrupted by an irregular object made by hand. Smooth stone can be balanced by timber, textiles or a patinated metal surface that becomes richer with age.
The tension between those elements is part of the appeal.
For Freeman, art is not an accessory to be added once the furniture plan is complete. It forms part of the architecture and atmosphere of the room from the beginning.
Lighting is considered in the same way. Beyond its practical purpose, a bespoke fitting can operate as a suspended sculpture, changing both the room’s composition and the way its materials are experienced after dark.
A design perspective shaped by travel
International travel plays a significant role in Freeman’s creative process.
Design fairs such as PAD Paris and Salone del Mobile in Milan provide opportunities to encounter emerging designers, established galleries, new materials and collectible furniture away from the filter of social media.
More spontaneous discoveries can prove equally important.
“Sometimes it’s the simple things,” Freeman says. “That piece found on a shopping trip with a client in Paris, stumbling across an artisan’s workshop, or a special memory that forms the narrative of the story.”
Objects selected during travel bring more than visual interest into a home. They carry an association with a place, maker or experience, giving the client a connection that cannot be reproduced by ordering an entire interior from a catalogue.
Freeman’s influences are international, but his projects are not conceived as replicas of Parisian, Milanese or Californian style. Each commission responds to its architecture, setting, natural light and the daily lives of its occupants.
A waterfront Sydney residence demands a different treatment from a Mayfair townhouse. A Caribbean estate shaped by brutalist architecture and reflecting pools calls for another response again.
The designer’s role is to absorb those references without allowing them to overwhelm the individual qualities of the property.
Designing the complete experience
FREEMAN & CO extends beyond conventional interior decoration.
The practice’s stated services include interior design and architecture, project management, property acquisition, development advice, concept design, documentation, furniture and lighting design, procurement and art curation.
That breadth allows the team to become involved before a room’s dimensions and finishes are fixed.
Early participation can be important at the top end of the residential market, where architecture, landscape, interiors, technology and art must operate as one environment. Decisions about ceiling heights, wall dimensions, sightlines and lighting can directly affect where art is installed or how custom furniture is proportioned.
The practice can then carry those decisions through to procurement and final installation, maintaining the design narrative as a project moves between architects, builders, specialist craftspeople, dealers and suppliers.
Its residential portfolio includes a South Coast retreat conceived as an escape from urban life, a Caribbean estate with reflecting pools, an East Coast-inspired Palm Beach residence and a Mayfair townhouse organised around an expressive drawing room.
The studio also says it has worked on highly tailored Sydney residences with values exceeding $100 million, although the private nature of such commissions means individual addresses and clients are not always disclosed.
A home that can keep changing
The risk in creating a perfectly resolved interior is that it can become too static — a composition that looks exceptional in photographs but leaves little room for life.
Freeman sees the home as something that should evolve with its owners.
“I love the evolution of design,” he says. “We are talking about people’s lives, and as they evolve, so too should their private sanctuaries.”
That evolution might involve adding art, reupholstering a significant piece, adapting rooms as a family changes or making space for objects gathered through future travels.
The original design needs to be strong enough to accommodate those layers.
This may be the clearest expression of Freeman’s approach to luxury. It is not simply access to rare stone, collectible furniture or commissioned craftsmanship. It is the creation of a personal environment whose meaning deepens rather than diminishes with time.
Fact box
- Designer: Jack Freeman
- Role: Founder and managing director
- Practice: FREEMAN & CO
- Base: Australia, with international projects
- Project locations named by the practice: Point Piper, Vaucluse, Circular Quay, Toorak, Palm Beach, the NSW South Coast, Mayfair, Bel Air and the Caribbean
- Sectors: Private residences, hotels, residential developments, private aviation and superyachts
- Services: Interior design and architecture, property development, project management, property acquisition, documentation, furniture and lighting design, FF&E procurement, interior dressing and art curation
- Design philosophy: Collected, personal interiors shaped by art, craftsmanship, travel and enduring materials
- Website: free-man.co
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