Venice Biennale to Spotlight Architects from Africa and the African Diaspora
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The 18th edition of Venice Biennale di Architettura, dubbed The Laboratory of the Future, is set to kick off Saturday in the Italian city. This year, for the first time, the event will showcase sustainable designs from architects from Africa and the African diaspora.
Titled Guests of the Future, the exhibition’s theme is decolonization and decarbonization, and will highlight projects that have found architectural solutions for issues ranging from sustainable materials to housing issues to erased histories, according to the Ford Foundation, which, along with Bloomberg Philanthropies, is supporting the architects’ international travel to the event.
“As is the case with many elite gatherings and institutions, access to entry has been high, leaving a diverse pool of talent from displaying their expertise, and we’re hoping this will help open doors for other innovators in architecture and design from all backgrounds well into the future,” the Ford Foundation said in a statement.
This year’s Biennale, which runs through November, is curated by Ghanaian-Scottish architect, professor and novelist Lesley Lokko, who is also the founder of the African Futures Institute, established in Accra, Ghana.
“New technologies continuously appear and disappear giving us unfiltered glimpses of life in parts of the globe we will likely never visit, much less understand,” Lokko said in a statement on the event’s website. “In Europe we speak of minorities and diversity, but the truth is that the West’s minorities are the global majority; diversity is our norm. There is one place on this planet where all these questions of equity, race, hope and fear converge and coalesce. Africa.”
More than 20 projects were selected from across the continent, as well as locations from France to Fez, Morocco—the majority of which were developed by an individual or a team with five people or fewer, according to organizers.
That includes Nzinga Biegueng Mboup, a Senegalese-based architect who worked with Adjaye Associates for three years. She is now collaborating with Elementerre, a construction company specializing in local and 100% recyclable building materials, such raw earth and plants, that require less energy to create and are more suitable for hot climates.
Or the woman-owned, New York City-based Riff Studio. Its three-person team combines backgrounds outside of traditional design practice: building construction, historical research, and architectural pedagogy, respectively. “Our designs are riffs produced from dialogues between these distinct realms, as we contemplate the future of housing,” according to the firm’s website.
There’s also MOE + Art Architecture: a Nigerian firm “that is emerging as one of the leading design houses in Africa for their work to redefine African modernism,” and Cartografia Negra, “a collective based in Brazil that is working to reposition places in Sao Paolo that were used for the execution, sale, torture, and execution of enslaved people,” according to the Ford Foundation.
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“Call us optimists. Call us dreamers. Call us whatever the hell you want, but we’re betting on people, and we like those odds. The future is for everyone.”
That ad copy is from the voice-over of a July Meta Platforms META -3.38%.
spot that’s been part of a public-relations blitz to position Meta as the humanist AI company. The message was undercut by the ad’s inclusion of David Bowie’s “Five Years,” a brooding 1972 song about an impending apocalypse. But this week CEO Mark Zuckerberg left no ambiguity, publishing a 6,500-word manifesto—about 10 times the length of this newsletter—with a title that echoed the ad: “The Future is for Everyone.”
That seems to be Meta’s new tagline. In light of sinking public opinion and the company’s thousands of lawsuits from states, school districts, parents, and users, Meta’s public relations have been defensive. This push represents a return to offense, with a chance to distinguish Meta’s approach to AI from other labs like OpenAI, Anthropic, or SpaceX SPCX +9.65%.
“It is surprising that the discourse from many developing AI is so filled with doom,” Zuckerberg wrote. “I do not understand why anyone who believes that AI will eliminate most jobs and much of humanity’s relevance would rush to build that future.”
Zuckerberg frames what sort of future we build with AI as the central issue of our time. “We believe that delivering superintelligence to everyone is the way to answer this question,” he says. “This has the potential to begin a new era of personal empowerment where individuals can use this powerful new capability to reach their full potential, pursue their interests, and improve their lives and the world more than ever before.”
The flood of words belies the situation on the ground in mid-2026. Americans, at least, have a love-hate affair with social media. A November Pew Research Center poll reported that 71% of U.S. adults used Facebook, and 51% used Instagram. Worldwide, 3.6 billion people use at least one Meta app every day.
But in a Reuters/Ipsos poll conducted in July and August, 61% of respondents said they wanted more government oversight of social media, and two-thirds supported laws to keep children under 16 years old off the platforms. When it comes to Meta in particular, in the 2026 Axios Harris 100, an annual poll about corporate reputation, Meta placed 96th out of 100. It’s only above two other social media companies, Chinese ultracheap retailer Temu, and Spirit Airlines, a defunct air carrier. Regarding ethics, Meta came in last, and it was only ahead of TikTok in trust.
The steady drip of headlines in the teen social media trials isn’t helping. Last week, Meta lost a judgment in New Mexico state court that raised their liability in that relatively small jurisdiction to nearly $1 billion dollars. On Wednesday, jury selection began for a federal case with four states suing Meta over addictive product design, and false marketing that said its platforms were safe for teenagers. In July, Meta claimed that the states are asking for a total of $1.4 trillion in damages, in addition to design changes in the apps. This is part of a multidistrict litigation, where thousands of federal trials with social media defendants are coordinated in Judge Yvonne Gonzalez Rogers’ district courthouse in Oakland, Calif.
There is a separate such group of thousands of cases in California state court, mostly with individual plaintiffs. The steady drip of bad headlines from the courts will continue unless Meta decides to settle en masse.
Meanwhile, in the second quarter, Meta booked “$2.40 billion of charges related to legal proceedings,” according to its quarterly filing. That may be just the beginning.
Zuckerberg spent 6,500 words getting his utopian message out, but I can sum it up in two: Trust us. The evidence is that Meta has a long way to go to win back that trust.
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