The Sustainable Living issue
Kanebridge Quarterly’s spring edition explores the future for property, wealth creation and design as we embrace the challenges of 21st century living
Kanebridge Quarterly’s spring edition explores the future for property, wealth creation and design as we embrace the challenges of 21st century living
The spring issue of Kanebridge Quarterly magazine is a deep dive into all things sustainable, starting with our cover story on the future look, feel and function of our cities. We showcase the most incredible developments in the country, from luxury high rise on the Gold Coast to a carbon zero development in Sydney.

For investors, we investigate how to build wealth through sustainable companies, as well as understanding the value of supporting B Corp certified businesses. Plus, we look at what it takes to join the one percent of Australia’s wealthiest individuals.

Then, we’re off exploring the world of sustainable travel, the life changing benefits of EVs, as well as touring some of Australia’s most beautiful, thoughtfully designed homes.
Plus:
You really don’t want to miss it.
From snow-dusted valleys to festival-filled autumns, Bhutan reveals itself as a rare destination where culture, nature and spirituality unfold year-round.
Odd Culture Group brings a new kind of after-dark energy to the CBD, where daiquiris, disco and design collide beneath the city streets.
Odd Culture Group brings a new kind of after-dark energy to the CBD, where daiquiris, disco and design collide beneath the city streets.
Sydney’s nightlife has long flirted with reinvention, but its latest arrival suggests something more deliberate is taking shape beneath the surface.
Razz Room, the new underground bar and disco from Odd Culture Group, has opened in the CBD, marking the group’s first step into the city centre.
Tucked below street level on York Street, the venue blends cocktail culture with a shifting, late-night rhythm that moves from after-work drinks to full dancefloor immersion.
The space itself is designed to evolve over the course of an evening. An upper bar offers a more intimate setting, suited to early drinks and conversation, while a sunken dancefloor anchors the venue’s later hours, with a rotating program of DJs and live performances.
“Razz Room will really change shape throughout a single evening,” says Odd Culture Group CEO Rebecca Lines.
“Earlier, it’s geared towards post-work drinks with a happy hour, substantial food offering, and music at a level where you can still talk.”
As the night progresses, that tone shifts.
“As the evening progresses at Razz Room, you can expect the music to get a little louder and the focus will shift to live performance with recurring residencies and DJs that flow from disco to house, funk, and jazz,” Rebecca says.
The concept draws heavily on New York’s underground club scene before disco became mainstream, referencing venues such as The Mudd Club and Paradise Garage. But the intention is not nostalgia.
“The space told us what it wanted to be,” Lines explains. “Disco started as a counter culture… Razz Room is no nostalgia project, it’s a reimagining of the next era of the discotheque.”
Design, too, plays its part in shaping the experience. The upper level is warm and textural, with timber finishes and burnt-orange tones, while the sunken floor shifts into a more theatrical mood, combining Art Deco references with a raw, industrial edge.
Advertising legend John Singleton unveils an exclusive 16-residence Caroline Bay development, marking his latest high-end property play on the Central Coast.
New research suggests that bonuses make employees feel more like a mere cog in a wheel.