When art meets architecture in Tasmania

On Tasmania’s dramatic Tasman Peninsula, near Koonya, three strikingly different buildings emerge from the rugged landscape, forming a trio of structures that demonstrate how art meets architecture.

Known collectively as Triptych, this ambitious project by Room 11 Architects is more than just a contemporary residence and a guest house – it’s a conversation piece and experience rolled into one.

The unrivalled property was showcased on Season 11, Episode 1 of Grand Designs Australia and has graced the cover of Tasmania Living magazine. Triptych is fun, a little bit quirky, and a big helping of eccentric.

Completed in 2023, this rare slice of real estate, spanning more than 40 hectares in a remote part of the Apple Isle, has now come to market with price expectations of $3.5 million. It will go under the hammer on June 15, marketed through Georgie Rayner of The Agency Hobart and David Medina of Sotheby’s International Realty NSW.

Crafted by Room 11’s design duo, Thomas and Kate Bailey, Triptych was commissioned by Sydney-based art director and writer Jonathan Kneebone. He wanted a regional retreat that would not only pay homage to the land but also push boundaries and the expectations of what a country house should be.

The result is a trio of individual buildings – each with its own distinct design, offering separate purposes surrounded by the pristine wilderness.

Blunt House, the main three-bedroom residence, is almost invisible at first glance. The low-lying structure is seemingly embedded in the hillside, a concrete construction disappearing into the earth, then cantilevered out towards the horizon.

In a bold decision by the architects, the long rectangular floor plan only allows one room – the main living space – to capture the stunning ocean backdrop overlooking Norfolk Bay.

The gun barrel view of the bay beyond the rolling hills was the inspiration for the architects, who have admitted that they began with the grand window snapshot in mind and then designed “backwards”.

Upon arrival, visitors descend via a dark, leather-lined corridor before entering the iconic lounge area, which offers unparalleled views.

Each bedroom is unique, with one featuring sheep skin-lined walls, while another has “upside down” windows best experienced when lying down on the bed.

The primary bathroom features a bath that is recessed into the floor, with mirrors embedded under the vanity for a distinctive perspective on the landscape, while soaking in the tub.

Packed with bespoke design elements created to withstand the elements, the main house’s brutalist concrete walls are punctuated by a custom ventilation system that harnesses the cross-flow from prevailing northerly and southerly winds, without interrupting the aesthetic.

A second building, known as The Glass House, is a one-bedroom guest pavilion perched higher on the sloping block, offering an entirely different experience to the main house. It has 360-degree views and walls of glass with almost nowhere to hide.

Finally, the third structure is The Folly, a mysterious cube with a rust-like Corten steel door opening to reveal what appears to be an old silo, but in actual fact, is a purpose-built contemplative space hiding a shallow reflective pool that simply mirrors the sky above.

The two designer residences on separate 20ha titles are 3.5 km from the coastal town of Koonya, 18 km from Port Arthur and 90 km from Hobart.

Triptych at 67 & 75 Grooms Hill Rd, Koonya is listed for sale with Georgie Rayner from The Agency Hobart and David Medina of Sotheby’s International Realty. The price guide is “more than” $3.5 million, and the auction is scheduled for July 14.

Australia’s housing crisis will not be solved by first-home buyer incentives or tax changes alone, with leading property figures warning governments must tackle supply constraints if affordability is to improve.

Speaking at the Kanebridge Quarterly Property Leadership Summit in Sydney last week, expert project marketing specialist Sam Elbanna, property investor and fund manager Paul Miron and property consultant Karla McNeice said that a lack of housing supply remained the central issue facing the market.

Elbanna, Director of CPM Realty with more than 30 years’ experience in project sales, argued that successive governments had focused too heavily on stimulating demand rather than addressing the barriers preventing new housing from being delivered.

“The misconception is that politicians think the way to solve the housing crisis is to drive demand,” he said.

“The reality is that’s not the way. This is a supply-side problem, and it needs to be solved on the supply side.”

Drawing on his experience in project sales, Elbanna said policies designed to help first-home buyers often had unintended consequences, pointing to previous grants that ultimately flowed through to higher property prices.

Instead, he said developers were facing increasing red tape, approval delays and rising costs, which were discouraging new housing supply.

“In the absence of stock, demand exceeds supply,” he said.

Miron, a Co-Founder and Fund Manager of Msquared Capital, said the housing debate had become overly focused on tax policy while overlooking broader structural issues.

He argued that affordability challenges stemmed from a combination of factors, including planning constraints, supply shortages, migration levels and interest rates.

“No-one can be 100 per cent certain on the real reason for property prices is going up,” he said.

“The reason why property prices are higher is a combination of interest rates, lack of supply, migration, vacancy rates and maybe taxes play a role.”

Miron was critical of recent federal housing policy changes, warning they could reduce the number of new homes being built and further constrain supply that was even highlighted in the budget.

He also highlighted the importance of the property sector to the broader economy, noting that residential real estate and related industries employed more than one million Australians.

McNeice, who advises developers on sales strategy and market intelligence, said understanding buyers had become increasingly important as affordability pressures intensified.

While affordability remained a major consideration, she said today’s buyers were focused on value rather than simply price.

“People are looking for value for money,” she said.

She said buyers were increasingly evaluating factors such as transport connections, walkability, nearby amenities and flexible living spaces that could accommodate changing family needs.

“What infrastructure is going on? Can I walk to the shops? Can I meet people at the local cafe?” she said.

The panel also discussed the mounting pressures facing developers, with Elbanna arguing that many projects become financially unviable from the moment a site is purchased.

“The viability of a development happens at the moment the site is bought,” he said.

He said rising construction costs, higher interest rates and overly optimistic feasibility assumptions had left some developers exposed as market conditions changed.

While acknowledging the growing number of smaller and first-time developers entering the market, Elbanna said property development required expertise across finance, construction, marketing and legal disciplines.

“It is actually a business that requires a level of expertise,” he said.

Looking ahead, the panel agreed opportunities remained in the market despite current challenges.

Miron said property should continue to be viewed as a long-term investment and cautioned against trying to time short-term market movements.

McNeice said success would increasingly depend on identifying projects that genuinely met changing buyer expectations.

Elbanna said affordable housing remained achievable, but developers needed to deliver more than just homes.

“We can provide affordable housing in this country,” he said.

“But we’ve got to wrap that affordable housing with the things that people want.”

As Australia’s housing affordability debate intensifies, the panellists agreed on one point: without a meaningful increase in housing supply, demand-side measures alone are unlikely to solve the nation’s property challenges.

When art meets architecture in Tasmania

A rare design trilogy on Tasmania’s Grooms Hill Road, Triptych blends architecture, nature and privacy across two titles with sweeping water views and serious creative soul.

Australia’s housing affordability crisis is being fuelled by chronic undersupply, planning delays and rising development costs, as politicians continue to focus on the wrong solutions.