What I Wish I Knew Before I Downsized: Homeowners on Their Missteps and Smart Solutions
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What I Wish I Knew Before I Downsized: Homeowners on Their Missteps and Smart Solutions

When you shrink your square footage, it’s easy to make design mistakes. Here, how empty-nesters, retirees and the newly single learned from their errors.

By ANTONIA VAN DER MEER
Mon, Aug 5, 2024 8:42amGrey Clock 6 min

THREE YEARS AGO , when Marilee Bear looked around her 3,200-square-foot house in Marin County, Calif., it felt big and lonely. “I was a single parent of 6-year-old twins who spend half their time at their dad’s house,” said the software executive. She wanted to teach her children about adventure, travel and experience—“not things,” she recalls.

And so she sold her big house to create more cash flow and a simpler life in a 1,200-square-foot bungalow—albeit one with spiffy elements chosen with the help of Lisa Tornello, an interior designer with Millroad Studio in San Anselmo, Calif. Among them: Calacatta marble backsplashes and a white sectional big enough for her and her boys to cuddle on. “I am in my 40s and now living the life I truly wanted.”

Bear’s one regret? “I didn’t anticipate the amount of sports equipment the boys would need as they grew.” For now, two sets of basketball, flag football, soccer, tennis and lacrosse gear squat in the garage while Bear continues to pare down elsewhere.

The itch to simplify comes in many forms: retirees seeking walkable neighborhoods, empty-nesters preferring low-maintenance, lock-it-and-leave-it apartments. But there can be a lot of Dick van Dyke-like stumbles over old ottomans along the way to smaller digs. Here, designers and homeowners who’ve been knee-deep in stuffed basements and garages share the hard-earned lessons of shrinking their footprint.

Appreciate Your Desire for Company

A number of folks we spoke with realised quickly that they’d cut their hosting capacity too drastically. Empty-nesters Deborah Berger and her husband had moved from a 4,000-square-foot house to a 1,300-square-foot cottage in Maynard, Mass., when Covid hit. The couple’s two grown sons briefly returned home to bunk with them—one slept in the office and the other on a futon at the bottom of the attic steps. “Not only had I gotten rid of their family home, but I could not even welcome them to visit,” said the administrative assistant, 66. The boys have since moved out, but the couple are contemplating converting the attic into an extra bedroom.

Designer Jessica Jubelirer of Montecito, Calif., says some people discover they need to rightsize after they downsize. “One empty-nester couple I worked with chose a chic little condo in Bethesda, Md. They were quite excited,” she said, but they soon realized there was no room for family or friends to stay. Jubelirer says the problem was corrected two years after they moved in, when the unit next door became available for purchase. The two apartments are separated by a home office, so there is built-in privacy. “The units are together but apart,” she said.

An architect for 50 years, Steve Vanze tells prospective clients, “We’ve already made every mistake we could.” Still, the 71-year-old, a principal at BarnesVanze Architects in Washington, D.C., miscalculated the importance of entertainment space when in 2021 he downsized from a 5,000-square-foot home in Chevy Chase, Md., to a 2,700-square-foot row house in Georgetown. So he and partner Lizzie Berardi, 65, who still resides mostly in Massachusetts, transformed the back garden off of an open kitchen living area.

“Now you can be cooking in the kitchen and have 15 guests in there comfortably,” said Vanze. “It better suits our lifestyle.”

If You Can, Hire Help

“Downsizing was probably the most daunting task of my lifetime, and I cure cancer for my day job,” said Lisa Kachnic, a radiation oncologist.

Nine years ago, Kachnic, 59, took two months off to relax and move from a three-story house with a basement and attic in Boston to a home half that size in Nashville, Tenn. “Biggest mistake of my life. There was no relaxation and no income, just sweat and exhaustion in trying to purge a lifetime of stuff,” including the sports-memorabilia collection of her husband, a college-baseball coach.

Their next downsize move, to a 1,400-square-foot Manhattan condo in 2020, took weeks instead of months. The difference? They hired designer Francis Toumbakaris of Francis Interiors in New York, “a genius at small spaces,” said Kachnic.

He inventoried the Nashville furnishings and divided them into three buckets: what could fit in the condo, what could be sold and what could be donated. In the condo he helped them create an office den that doubles as a guest room with the help of a blue lacquer Murphy bed. The wheeled coffee table can be rolled to the living room. It pops up and expands to seat eight for dinner.

Bear’s designer, Tornello, helped her and her twins squeeze into their California bungalow with flip-top storage in kitchen banquettes and drawers under the boys’ beds, but Bear also hired Merci Magdalena. The professional organizer, whose company Great Moves, in Marin County, Calif., charges between $3,000 and $10,000 to sort out a home.

One of the many tips that is helping Bear make room for her kids’ unanticipated sports equipment: an open box into which she tosses clothes that she notices she has not been wearing. When the carton is full, Bear hauls it to charity. “Now I don’t have to set aside a weekend to work through my closet because I am constantly and consistently pruning,” she said.

Reimagine Your Furniture

Susie Mobley in her Athens, Ga., sunroom, decorated by interior designer Tami Ramsay of Cloth & Kind. Photo: Jason Thrasher for WSJ

“Things you think won’t work sometimes do,” said Tami Ramsay, partner and principal designer at Cloth & Kind in Athens, Ga. Ramsay helped client Susie Mobley, 58, switch from a 6,000-square-foot home she shared with a husband and three children to a 2,400 square-foot cottage in Athens all her own. The new house, renovated by local firm the Misfit House, and Mobley’s previous home “could not be more different,” said Ramsay, “but about 70% of the things in the new house come from the old house.”

A pair of natural bamboo chairs, for example, got a coat of vibrant yellow paint and now brighten a screened-in porch. “I’m at a different stage of my life,” said Mobley, a retired director of development for a nonprofit. “I can be daring, more colourful.”

Carter Kay, an interior designer in Atlanta, has helped lots of clients downsize without leaving much behind. “You must be willing to rethink, reshuffle and pivot,” said Kay. An armoire that starred in the living room might end up in your bedroom. A crystal chandelier can elevate a kitchen. A rug cut and surged will cover a new floor. “Sometimes you need to keep moving things around until you can say ‘Aha! That’s it!’” said Kay.

Creative Reuse Has Limits

Designers say that 90% of the time, the old sofa has got to go. Even when in pristine condition, it rarely works in the new space. “A sectional is like an albatross. If it works, it’s a miracle,” said Ramsay.

On the other end of the scale, Berger says she made the mistake of sweating the small stuff when she moved to her cottage. As she unpacked old pillowcases and towels she found herself asking, “Why did I bother to move these things?” What she really wanted was the pleasure of potholders without burn marks and crisp new sheets.

Avoid the Storage-Unit Crutch

Stashing surplus furnishings in a pay-as-you-stow unit can be a costly way of kicking the can down the road. Five years after moving into her smaller house, Berger is still trying to divest herself of the things that she mothballed. “It’s crazy! One of the reasons you downsize is to save money, but I’ve spent thousands on storage!”

One designer’s rule of thumb: “The pieces that go in storage should be the ones that can’t be replaced,” said Kay, who reminds homeowners what goes in must also come out. Her prescription? A checkup every six months to see if anything can be resuscitated.

Talk to Your Accountant

Vanze described himself as “ruthless” when it came to ditching papers and other junk during the relocation to his D.C. townhouse. “I stopped looking in boxes,” he said. Trucks hauled away four loads of mystery boxes. “Fortunately I’m old enough that I don’t remember what might have been in them.”

Unfortunately, though, he purged his papers a little too aggressively. He followed the 7-year guide for holding on to tax records but didn’t realise that to reduce the tax on the sale of his old house, he needed all paperwork related to capital improvements there. When it came time, proving the value of the equity he had put into his old place required a lot of leg work. So before you destroy documents, talk to pros familiar with your financial situation who can tell you what to dig out and save, and what’s safe to feed the shredder.

‘Market’ Your Family Furniture

Mobley always made sure her three children understood the emotional significance of the furnishings in their 6,000-square-foot family home. She believed her kids might one day want them. (“They just don’t know it yet,” she recalls thinking). Thanks to the memories with which she imbued the pieces, her children were happy to take some of them when she transitioned to a 2,400-square-foot cottage for herself.

Her middle child, John, took a dresser that used to belong to her father. A sturdy little Sheraton-style four-drawer dresser from the 1970s, it’s a piece that many others of the 26-year-old’s generation might have rejected as dowdy. But Mobley enticed him with family history. “I told my son that my father always kept important papers in the top drawer, such as the cards I gave him over the years, and I used to open the drawers and peek inside,” said Mobley, whose father, also named John, died when she was pregnant with his namesake. “My son never met his grandfather, and he loves that dresser.”

Another son, 28, took an old set of forest-green encyclopaedias for a similar reason. The vintage volumes now sit on a bookshelf in his one-bedroom condo. Mobley had recounted to her children that her mother frequently made her look up subjects in them. “In fact, she insisted I learn a new word every week, and sometimes I would pick one out of the encyclopaedia,” she said. “It’s a memory for him. And he thinks they look cool.”



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Why Charlie Rizk believes luxury interiors should outlast the trends

Edge Design Consultants has remained a relatively small studio, allowing Rizk to maintain personal involvement across its projects.

By Ruba Jaajaa
Wed, Sep 2, 2026 4 min

The most convincing luxury interiors rarely need to announce their value.

Their appeal is revealed more gradually: in the weight of a door, the texture of a natural material, the proportion of the furniture or the way lighting changes the mood of a room after dark.

It is this quieter expression of luxury that has shaped the work of Charlie Rizk, founder and design director of Sydney studio Edge Design Consultants.

Established in 2006, the boutique practice works across residential and commercial interiors, offering services that range from architectural interior design and material selection to bespoke furniture, furnishing and final styling.

Its portfolio spans family homes, waterfront retreats, commercial workplaces and apartments within some of Sydney’s most prominent residential buildings. But according to the studio’s philosophy, the common thread is not a readily identifiable aesthetic.

Instead, it is an emphasis on longevity, personalisation and a close relationship between designer and client.

From the salon to the design studio

Rizk’s route into interior design was unconventional.

Before establishing Edge Design Consultants, he founded the Sydney hair salon Escapadehfb. While the two businesses operate in different creative fields, Rizk’s early career gave him experience in interpreting highly personal client briefs.

That ability to listen — and to distinguish between what a client initially requests and how they ultimately want to feel — became central to his work in interiors.

A client may arrive with a collection of reference images, favourite colours or individual pieces of furniture. The designer’s role is not simply to assemble those elements. It is to identify the underlying preference connecting them and translate it into a coherent environment.

That distinction becomes particularly important in bespoke residential design, where the success of a room is determined by more than its appearance in photographs.

The interior must accommodate routines, collections, entertaining, children, pets, privacy and storage. Materials must also be selected according to how they will perform after years of use.

A deliberately boutique model

Edge Design Consultants has remained a relatively small studio, allowing Rizk to maintain personal involvement across its projects.

For clients, that structure offers continuity. Architectural detailing, fixtures, finishes, furniture and styling can be developed as parts of the same design narrative rather than commissioned as disconnected stages.

The studio’s full-service model can begin with spatial planning and architectural interiors before progressing through mood boards, material selections, custom furniture and the final installation.

This continuity is particularly valuable on complex homes involving architects, builders, specialist trades, suppliers and landscape designers. Decisions made at the beginning of a project can affect everything that follows, from the dimensions of a custom sofa to the placement of lighting, power and joinery.

Bringing the interior designer into the process early can help prevent decorative decisions from being imposed on a largely completed building.

It also creates opportunities for furniture, art and objects to inform the architecture itself.

The case against a signature look

Many successful designers become associated with a recognisable palette or recurring visual device. Edge takes a less prescriptive position.

The studio’s work includes warm, layered family interiors as well as more restrained contemporary apartments and sharper commercial spaces. Its stated priorities are durability, considered materials and an understanding of the way each space will be occupied.

This does not mean abandoning a point of view. Rather, the designer’s sensibility is expressed through proportion, editing and consistency instead of a formula repeated from one project to another.

For affluent homeowners, this can be an important distinction. A heavily trend-driven interior may look current when completed but quickly reveal the moment in which it was designed.

An enduring home needs enough character to feel individual without becoming hostage to a short-lived fashion.

Natural stone, timber, metalwork and well-made furniture can provide that foundation, but material expense alone does not create permanence. The detailing, installation and relationship between the materials matter just as much.

Designing from the building out

Edge’s published portfolio includes residential projects in Pymble, Epping, North Rocks, Strathfield, Pyrmont and Wagstaffe, along with the furnishing and styling of a residence in Crown Sydney. A Pymble residence (below) was featured on Channel Nine’s Australia’s Best House in 2023.

The scope varies between projects.

Some commissions involve complete architectural interior design, furniture and styling. Others focus on furnishing an existing residence, where the challenge is to introduce identity without altering the underlying architecture.

A penthouse, for example, may already possess exceptional views, finishes and proportions. The designer’s task is then to create intimacy, establish visual rhythm and ensure the furniture remains appropriately scaled to the volume of the rooms.

A freestanding family home presents different considerations. Storage, circulation, durability and the relationship between indoor and outdoor areas may take precedence over creating a formal sense of arrival.

The best result is not necessarily the most dramatic. It is the one in which the architecture, finishes, furniture and objects feel as though they were always intended to coexist.

Luxury as a personal experience

After 20 years, Edge Design Consultants sits within a design market transformed by social media and unprecedented access to international references.

Clients can now identify furniture, stone, lighting and interiors from around the world before their first conversation with a designer. That access can broaden a brief, but it can also produce an overwhelming collection of competing ideas.

The designer’s role is increasingly one of curation: deciding what belongs, what should be removed and which references can be translated convincingly into an Australian home.

For Rizk, the boutique scale of Edge allows that process to remain personal.

The studio’s version of luxury is therefore not defined by a single material, brand or visual signature. It lies in the time spent understanding a client, the care with which each element is selected and the sense that the completed space belongs specifically to the people living within it.

Fact box

  • Designer: Charlie Rizk
  • Role: Founder and design director
  • Studio: Edge Design Consultants
  • Established: 2006
  • Location: Sydney, NSW
  • Services: Architectural interior design, spatial planning, mood boards, fixtures and finishes, bespoke furniture, furnishing and styling
  • Project types: Luxury residences, apartments, penthouses and boutique commercial interiors
  • Selected locations: Pymble, Epping, North Rocks, Strathfield, Pyrmont, Wagstaffe, Macquarie Park and Crown Sydney
  • Selected media: Australia’s Best House, Kanebridge Quarterly and Robb Report Australia
  • Website: edgedesignconsultants.com.au
  • Instagram: @edge_design_consultants
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