The country house that was destined to be built
When the opportunity arose to purchase a property that had slipped through their fingers years ago, the owners jumped at the chance to fulfil their dreams for a farmhouse
4 min
There’s a sense of inevitably about this home in regional NSW, or, at least, destiny. When owners David and Pippa Beak, of Beak & Sons fame, decided to buy a property outside of Sydney, Pippa already had a place in mind. The Sydney couple were looking for a second home where they could entertain family and friends, as well as business contacts associated with their company, Mr Beak’s, who manufacture ready made meals, sausages and other meat products available through major supermarkets.
The locality of Kerrabee, equidistant between Mudgee, Muswellbrook and Rylstone, is prime farming land, ideal for raising top quality cattle. It also had a 1.2ha property Pippa was already familiar with.
“Pippa’s father attempted to buy this farm about 50 years ago and missed out,” says architect Michael Bell. “It turned out it was available, so they bought it.”
While the farmland was perfect for running Angus, a renowned carcass breed, the existing house was not the light-filled farmhouse the couple had envisaged. However, it did offer clues to the best position for a new home.
“When you’re working with a new site, you don’t always know the land well and you have to make sure to pick somewhere where it will not flood,” Bell says.
“The original site is a good place to start because the house had been there for a number of years (without incident).”
The old house would have to make way for the new, but instead of demolishing the existing three-bedroom dwelling, which was relatively new, it was relocated further up the hill to function as additional accommodation when guests come to stay.
For the main site, Bell designed a welcoming four-bedroom house in a classic farmhouse style that functions like a contemporary home. Key to creating the look and feel the owners desired was the corrugated steel pitched roof with deep wraparound verandas to offer protection from the summer heat while still allowing the sun to penetrate the house in winter.
“They wanted something that appeared established,” Bell says. “They liked the look of the large rooms and the wraparound verandas, but it was also important that the kitchen faced east to get that morning sun and they wanted to be able to look across the garden.”
Internally, 3.2m high ceilings in all the rooms create a sense of space, light and old world charm, while slightly wider French doors carry the theme through without interrupting the flow.
“Even though the language is that traditional style, we started with 3.2m high ceilings, and we have those large doors to get that open feel at the same time as maintaining the look of the old style house,” he says. “It’s traditional, warm and familiar but it is also open and light like a modern house.
“There’s also plenty of light and air which some people feel they will not get in a house like this.”
While it is often just the owners at the house, they regularly cater for guests, so the open plan kitchen needed to be suitable for managing larger groups as well as the couple’s day-to-day needs.
An expansive island bench with marble top and open shelving works in well with the Shaker-style profile to provide the entertainer’s kitchen David and Pippa required.
“Pippa is a keen cook and she has access to the best food,” Bell says. “A big part of David’s business is networking and they will often have up to 14 visitors at a time.”
The generous living area has the ability to be partially closed off when desired, which is especially useful in winter when the fire is in use, but internal French doors and a central ceiling fan ensure air flow is maintained.
In keeping with the focus on entertaining, design work on the property extended outdoors, with a fenced-in pool and classic cabana along with not one, but three outdoor cooking facilities.
“David grew up in Argentina so he wanted a Brazilian barbecue, along with a pizza oven and a standard barbecue,” Bell says. “They also have grown children and grandchildren so the house is serving that extended family.”
While the property is very much a working farm, Bell says there are some departures from the traditional layout.
“We put the house away from the sheds and up the valley a bit further. It’s a ‘city people’ thing to do,” he says. “Farmers are on the land all the time and they will have the house close to the sheds so they don’t have to walk.
“The main thing was to be able to hook up to the existing electricity otherwise you would have to put up new poles and wires. The house was a fraction too big to be completely off grid but it’s all solar with diesel back up.”
Although construction was completed during COVID lockdowns, the work schedule was relatively unaffected. Scone builder Darryl Rossington from Rossington Building Contractors was tasked with completing the construction of the house.
“Because we live in Kiama, we weren’t affected by the Sydney lockdowns while this was built. We got most of it done prior to the supply chain issues,” says Bell.
Although Bell visited the site regularly, having a builder experienced in classic farmhouse-style buildings was essential.
“If you have builders who are used to doing our kind of work, using people like Darryl makes things easier,” Bell says.
“If a builder who is used to doing contemporary work is asking me about things like gutter profiles, it slows things down.
“With Darryl, I don’t have to talk about those things, and it’s important because you can’t get up there on site at the drop of a hat.
“You need to be able to rely on them.”
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Weary of ‘smart’ everything, Americans are craving stylish ‘analog rooms’ free of digital distractions—and designers are making them a growing trend.
5 min
James and Ellen Patterson are hardly Luddites. But the couple, who both work in tech, made an unexpectedly old-timey decision during the renovation of their 1928 Washington, D.C., home last year.
The Pattersons had planned to use a spacious unfinished basement room to store James’s music equipment, but noticed that their children, all under age 21, kept disappearing down there to entertain themselves for hours without the aid of tablets or TVs.
Inspired, the duo brought a new directive to their design team.
The subterranean space would become an “analog room”: a studiously screen-free zone where the family could play board games together, practice instruments, listen to records or just lounge about lazily, undistracted by devices.
For decades, we’ve celebrated the rise of the “smart home”—knobless, switchless, effortless and entirely orchestrated via apps.
But evidence suggests that screen-free “dumb” spaces might be poised for a comeback.
Many smart-home features are losing their luster as they raise concerns about surveillance and, frankly, just don’t function.
New York designer Christine Gachot said she’d never have to work again “if I had a dollar for every time I had a client tell me ‘my smart music system keeps dropping off’ or ‘I can’t log in.’ ”
Google searches for “how to reduce screen time” reached an all-time high in 2025. In the past four years on TikTok, videos tagged #AnalogLife—cataloging users’ embrace of old technology, physical media and low-tech lifestyles—received over 76 million views.
And last month, Architectural Digest reported on nostalgia for old-school tech : “landline in hand, cord twirled around finger.”
Catherine Price, author of “ How to Break Up With Your Phone,” calls the trend heartening.
“People are waking up to the idea that screens are getting in the way of real life interactions and taking steps through design choices to create an alternative, places where people can be fully present,” said Price, whose new book “ The Amazing Generation ,” co-written with Jonathan Haidt, counsels tweens and kids on fun ways to escape screens.
From both a user and design perspective, the Pattersons consider their analog room a success.
Freed from the need to accommodate an oversize television or stuff walls with miles of wiring, their design team—BarnesVanze Architects and designer Colman Riddell—could get more creative, dividing the space into discrete music and game zones.
Ellen’s octogenarian parents, who live nearby, often swing by for a round or two of the Stock Market Game, an eBay-sourced relic from Ellen’s childhood that requires calculations with pen and paper.
In the music area, James’s collection of retro Fender and Gibson guitars adorn walls slicked with Farrow & Ball’s Card Room Green , while the ceiling is papered with a pattern that mimics the organic texture of vintage Fender tweed.
A trio of collectible amps cluster behind a standing mic—forming a de facto stage where family and friends perform on karaoke nights. Built-in cabinets display a Rega turntable and the couple’s vinyl record collection.
“Playing a game with family or doing your own little impromptu karaoke is just so much more joyful than getting on your phone and scrolling for 45 minutes,” said James.
Screen-Free ‘Escapes’
“Dumb” design will likely continue to gather steam, said Hans Lorei, a designer in Nashville, Tenn., as people increasingly treat their homes “less as spaces to optimise and more as spaces to retreat.”
Case in point: The top-floor nook that designer Jeanne Hayes of Camden Grace Interiors carved out in her Connecticut home as an “offline-office” space.
Her desk? A periwinkle beanbag chair paired with an ottoman by Jaxx. “I hunker down here when I need to escape distractions from the outside world,” she explained.
“Sometimes I’m scheming designs for a project while listening to vinyl, other times I’m reading the newspaper in solitude. When I’m in here without screens, I feel more peaceful and more productive at the same time—two things that rarely go hand in hand.”
A subtle archway marks the transition into designer Zoë Feldman’s Washington, D.C., rosy sunroom—a serene space she conceived as a respite from the digital demands of everyday life.
Used for reading and quiet conversation, it “reinforces how restorative it can be to be physically present in a room without constant input,” the designer said.
Laura Lubin, owner of Nashville-based Ellerslie Interiors, transformed a tiny guest bedroom in her family’s cottage into her own “wellness room,” where she retreats for sound baths, massages and reflection.
“Without screens, the room immediately shifts your nervous system. You’re not multitasking or consuming, you’re just present,” said Lubin.
As a designer, she’s fielding requests from clients for similar spaces that support mental health and rest, she said.
“People are overstimulated and overscheduled,” she explained. “Homes are no longer just places to live—they’re expected to actively support well-being.”
Designer Molly Torres Portnof of New York’s DATE Interiors adopted the same brief when she designed a music room for her husband, owner of the labels Greenway Records and Levitation, in their Lido Beach, N.Y. home. He goes there nightly to listen to records or play his guitar.
The game closet from the townhouse in “The Royal Tenenbaums”? That idea is back too, says Gachot. Last year she designed an epic game room backed by a rock climbing wall for a young family in Montana.
When you’re watching a show or on your phone, “it’s a solo experience for the most part,” the designer said. “The family really wanted to encourage everybody to do things together.”
Analog Accessories
Don’t have the space—or the budget—to kit out an entire retro rec room?
“There are a lot of small tweaks you can make even if you don’t have the time, energy or budget to design a fully analog room from scratch,” said Price.
Gachot says “the small things in people’s lives are cues of what the bigger trends are.”
More of her clients, she’s noticed, have been requesting retrograde staples, such as analog clocks and magazine racks.
For her Los Angeles living room, chef Sara Kramer sourced a vintage piano from Craigslist to be the room’s centerpiece, rather than sacrifice its design to the dominant black box of a smart TV. Alabama designer Lauren Conner recently worked with a client who bought a home with a rotary phone.
Rather than rip it out, she decided to keep it up and running, adding a silver receiver cover embellished with her grandmother’s initials.
Some throwback accessories aren’t so subtle. Melia Marden was browsing listings from the Public Sale Auction House in Hudson, N.Y. when she spotted a phone booth from Bell Systems circa the late 1950s and successfully bid on it for a few hundred dollars.
“It was a pandemic impulse buy,” said Marden.
In 2023, she and her husband, Frank Sisti Jr., began working with designer Elliot Meier and contractor ReidBuild to integrate the booth into what had been a hallway linen closet in their Brooklyn townhouse.
Canadian supplier Old Phone Works refurbished the phone and sold them the pulse-to-tone converter that translates the rotary dial to a modern phone line.
The couple had collected a vintage whimsical animal-adorned wallpaper (featured in a different colourway in “Pee-wee’s Playhouse”) and had just enough to cover the phone booth’s interior.
Their children, ages 9 and 11, don’t have their own phones, so use the booth to communicate with family. It’s also become a favorite spot for hiding away with a stack of Archie comic books.
The booth has brought back memories of meandering calls from Marden’s own youth—along with some of that era’s simple joy. As Meier puts it: “It’s got this magical wardrobe kind of feeling.”
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