Wine Snobs, Don’t Let a Cute Critter on the Label Come Between You and a Great Bottle
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Wine Snobs, Don’t Let a Cute Critter on the Label Come Between You and a Great Bottle

For a couple of decades now, oenophiles have turned up their noses at the many ‘critter wines’ that followed in the wake of a certain Aussie label and its colourful wallaby. Time to reconsider.

By LETTIE TEAGUE
Sun, Aug 11, 2024 7:00amGrey Clock 4 min

A wine with an animal on its label is often regarded as less-than-serious, meant to appeal more to pet lovers than oenophiles.

“Animals give consumers vibes of cheapness,” observed Jeffrey Wolfe, proprietor of Wolfe’s Wine Shoppe in Coral Gables, Fla. Blame it on Yellow Tail, that cheap Aussie wine with the cheerful wallaby logo. Yellow Tail spawned a veritable den of “critter wines” two decades ago, and few left an enduring impression of quality.

I thought about all of that recently when I went looking for a wine with a horse on its label. I’d written a biography of Marguerite Henry, the author of “Misty of Chincoteague” among other horse books for children, and wanted to serve “horse wines” at my book signings. As it happened, I turned up several good bottles. Perhaps other good wines were hiding behind pictures of sheep, lions or bears?

I found a number of bottles whose labels were inspired by the animals that roam the landscapes where the wines were produced. For example, the mascot on the label of the 2022 Black Cabra Malbec ($US10)—a wine marked by soft tannins and notes of red fruit and spice—pays homage to the black goat that wanders the Argentine Andes, the location of the winery and vineyards. It’s a great-value red from winemaker Fabian Valenzuela and vineyard manager Carlos Correas of Bodega Zolo.

The solo sheep on the label of the dry, refreshingly light 2023 Landhaus Mayer Grüner Veltliner ($US12) nods to a long association between sheep and viticulture in the Weinviertel region of Lower Austria. According to Paul Kiefer, sales director of Mayer am Pfarrplatz winery and its label Landhaus Mayer, sheep historically grazed between the grapevines planted both outside and within city limits in the region. “Maximising space for agriculture and viticulture was key,” Kiefer said. Adorably, sheep can still be found in vineyards there today.

For the label of the 2020 Roberto Henríquez Tierra de Pumas Bio Bío Valley País ($US20), winemaker Roberto Henríquez chose two pumas, an endangered species in the Nahuelbuta Mountain Range, near his winery in the Bio Bío valley of Chile. The wine itself is a soft, slightly funky, intriguingly earthy, low-alcohol red made from Pais grapes harvested from old vines.

The Catalan donkeys on the label of the 2021 Clos dels Guaràns VI Negre “Les Someres” ($20) may be whimsically depicted wearing dainty frocks, but their breed is likewise endangered. In this blend of red grapes from Catalonia’s Penedès region, winemaker Jordi Raventos has produced a pleasing low-alcohol wine marked by bright acidity and ripe fruit.

Among the wines I found with horse labels, five stood out: three rosés and two reds. Two of the rosés were produced on Long Island by vintner-equestrians. The soft, slightly fruity, Merlot-dominant 2023 Wölffer Estate Rosé ($US16) is a reliably good pink whose label features a subtle gold profile of a horse entwined with grapes. The Sagaponack winery was founded by the late Christian Wölffer, a businessman and horseman who built both a winery and a horse barn.

The juicy, slightly tart 2023 Macari Sparkling Horses Cabernet Franc Pet-Nat ($US32) sports a full-colour profile of a horse on its label. The rendering was inspired by winery operations director Gabriella Macari’s love of horses. It’s also a nod to the unofficial name of the North Fork property her grandfather purchased in the 1960s: Locals referred to it as “Horse Head Bluffs,” said Macari, after a horse-head-shaped dune that once stood at the edge of what is now their vineyard.

The 2023 The Withers El Dorado Rosé ($US22) was produced in California but inspired by the rosés of Bandol, France, according to vintner Andrew Tow, who also makes Rhone-style reds and Pinot Noirs. All of his wine labels feature a portrait of Mr. Burgess, the beloved horse of his wife and the winery’s co-owner, Kathleen Tow. Even the name of the winery is horse-oriented: The Withers is the name of the point at which a horse’s neck and back meet.

Equestrian and vintner Ernesto Catena (son of famed Malbec producer Nicolás Catena) chose colourful horses in heraldic gear to decorate the label of his delicious red-berry-fruited 2022 Padrillos Malbec Mendoza ($US10). “We pay homage to the Padrillo, a strong but sensitive creature, that is very playful, free spirited and of strong nature at the same time,” Catena explained in an email. The wine is sourced from two old-vine high-elevation Malbec vineyards and aged in used and neutral oak at his winery Finca de los Padrillos.

Adding a horse to the label of the toothsome, juicy 2022 Clos de Roilette Cuvée Christie Fleurie ($US22) was not, originally, an entirely playful move according to the winery’s importer, Kevin McKenna, of Louis Dressner Wines in New York. In the 1930s, Mr. Crozet, the then-owner of the esteemed Beaujolais estate, was irked when his wines lost their Moulin-à-Vent appellation and were assigned to the new and, as yet, far-less-prestigious Fleurie. So he struck the appellation from all his labels and emblazoned them instead with a portrait of his prized racehorse, Roilette. The estate’s current owners, the Couderts, continue to use the iconic portrait, though they’ve added the Fleurie name, which has gained esteem in the intervening decades.

An amphibious label I’ve loved for a long time, Frog’s Leap is in a league of its own. Launched in 1981—“long before the arrival of ‘critter wines,’ ” founder John Williams noted—this Napa winery has long produced affordable, delicious wines. Its tangy 2023 Frog’s Leap Sauvignon Blanc Rutherford ($US24) is no exception. Williams described the origin of the name thusly: “a drunken contraction of Stag’s Leap [Wine Cellars], where I spent my formative years as their first winemaker, and the Frog Farm, the beloved home of Larry Turley, my co-founder.” Label artist Charles House took the name as a jumping-off point to create his now-famous leaping frog.

Surprisingly, one species that proved scarce in my search for animals on wine labels was man’s best friend. I looked high and low but found only one (not-so-great) wine whose label featured a dog. As the owner of two Pembroke Welsh corgis, I’d hoped to find a good wine-canine combo. If anyone finds a bottle with a corgi on the label, please let me know.



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Meta is betting on a human-first AI future, but growing legal battles and declining public trust are putting Mark Zuckerberg’s vision to the test.

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Thu, Aug 13, 2026 3 min

“Call us optimists. Call us dreamers. Call us whatever the hell you want, but we’re betting on people, and we like those odds. The future is for everyone.”

That ad copy is from the voice-over of a July Meta Platforms META -3.38%.

 spot that’s been part of a public-relations blitz to position Meta as the humanist AI company. The message was undercut by the ad’s inclusion of David Bowie’s “Five Years,” a brooding 1972 song about an impending apocalypse. But this week CEO Mark Zuckerberg left no ambiguity, publishing a 6,500-word manifesto—about 10 times the length of this newsletter—with a title that echoed the ad: “The Future is for Everyone.”

That seems to be Meta’s new tagline. In light of sinking public opinion and the company’s thousands of lawsuits from states, school districts, parents, and users, Meta’s public relations have been defensive. This push represents a return to offense, with a chance to distinguish Meta’s approach to AI from other labs like OpenAI, Anthropic, or SpaceX SPCX +9.65%.

“It is surprising that the discourse from many developing AI is so filled with doom,” Zuckerberg wrote. “I do not understand why anyone who believes that AI will eliminate most jobs and much of humanity’s relevance would rush to build that future.”

Zuckerberg frames what sort of future we build with AI as the central issue of our time. “We believe that delivering superintelligence to everyone is the way to answer this question,” he says. “This has the potential to begin a new era of personal empowerment where individuals can use this powerful new capability to reach their full potential, pursue their interests, and improve their lives and the world more than ever before.”

The flood of words belies the situation on the ground in mid-2026. Americans, at least, have a love-hate affair with social media. A November Pew Research Center poll reported that 71% of U.S. adults used Facebook, and 51% used Instagram. Worldwide, 3.6 billion people use at least one Meta app every day.

But in a Reuters/Ipsos poll conducted in July and August, 61% of respondents said they wanted more government oversight of social media, and two-thirds supported laws to keep children under 16 years old off the platforms. When it comes to Meta in particular, in the 2026 Axios Harris 100, an annual poll about corporate reputation, Meta placed 96th out of 100. It’s only above two other social media companies, Chinese ultracheap retailer Temu, and Spirit Airlines, a defunct air carrier. Regarding ethics, Meta came in last, and it was only ahead of TikTok in trust.

The steady drip of headlines in the teen social media trials isn’t helping. Last week, Meta lost a judgment in New Mexico state court that raised their liability in that relatively small jurisdiction to nearly $1 billion dollars. On Wednesday, jury selection began for a federal case with four states suing Meta over addictive product design, and false marketing that said its platforms were safe for teenagers. In July, Meta claimed that the states are asking for a total of $1.4 trillion in damages, in addition to design changes in the apps. This is part of a multidistrict litigation, where thousands of federal trials with social media defendants are coordinated in Judge Yvonne Gonzalez Rogers’ district courthouse in Oakland, Calif.

There is a separate such group of thousands of cases in California state court, mostly with individual plaintiffs. The steady drip of bad headlines from the courts will continue unless Meta decides to settle en masse.

Meanwhile, in the second quarter, Meta booked “$2.40 billion of charges related to legal proceedings,” according to its quarterly filing. That may be just the beginning.

Zuckerberg spent 6,500 words getting his utopian message out, but I can sum it up in two: Trust us. The evidence is that Meta has a long way to go to win back that trust.

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