A GLOBAL CIVIC VISION LANDS IN SYDNEY
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A GLOBAL CIVIC VISION LANDS IN SYDNEY

The global architecture studio behind some of Sydney’s most recognisable towers unveils Civic Vision, its first Australian exhibition, celebrating more than five decades of design shaping cities worldwide.

By Jeni O'Dowd
Fri, Oct 24, 2025 4:12pmGrey Clock 2 min

Foster + Partners has opened its first comprehensive exhibition in Australia, Civic Vision, showcasing more than five decades of the practice’s global architectural work.

Staged inside Parkline Place, the studio’s latest Sydney project developed by Investa on behalf of Oxford Properties Group and Mitsubishi Estate Asia, the exhibition highlights the firm’s contribution to civic architecture, urban environments and infrastructure.

Gerard Evenden, Head of Studio at Foster + Partners, said: “We are delighted to be putting on this first-of-its-kind exhibition in Sydney – a city we have been working in for more than 25 years. This is a fantastic opportunity to reflect on our holistic approach to civic architecture, which has underpinned our work since the 1960s, and continues to evolve to meet the challenges of today.”

Partner Muir Livingstone added: “It is a great privilege to showcase the practice’s work in Parkline Place – a project that we have been working on for the past six years – and the new home for our Sydney studio.

“Our projects in the city exemplify the civic and sustainable approach that the exhibition centres on. From our first Sydney project, Deutsche Bank Place, which features a four-storey public plaza at its base, to our work for Sydney Metro, which is transforming the way thousands of people travel across the city.”

The exhibition is organised around three themes – Community + Culture, Living + Working, and Planning + Mobility – and features Australian projects including Deutsche Bank Place, Salesforce Tower and Parkline Place, alongside international works such as the Hong Kong and Shanghai Bank Headquarters, the Reichstag German Parliament, and the soon-to-open Zayed National Museum in Abu Dhabi.

Since the 1960s, Foster + Partners has expanded its approach beyond technological innovation to encompass social and environmental design, producing masterplans for carbon-neutral cities and civic infrastructure that prioritise light, clarity and connection.

Civic Vision runs until 21 December on Level 2 of Parkline Place, 252 Pitt Street, Sydney. Entry is free and forms part of the Sydney Open festival program.



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Pure Amazon has begun journeys deep into Peru’s Pacaya-Samiria National Reserve, combining contemporary design, Indigenous craftsmanship and intimate wildlife encounters in one of the richest ecosystems on Earth.

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Thu, Nov 6, 2025 3 min

Pure Amazon, an A&K Sanctuary, has officially launched its voyages into the 21,000-square-kilometre Pacaya-Samiria National Reserve.

Designed for just 22 guests, the new vessel positions itself at the high end of wilderness travel, offering quiet, immersive, and attentive experiences with a one-to-one staff-to-guest ratio. The focus is on proximity to wildlife and landscape, without the crowds that have made parts of the Amazon feel like tourism has arrived before the welcome mat.

Where Architecture Meets the River

The design direction comes from Milan-based architect Adriana Granato, who has reimagined the boat’s interiors as part gallery, part observatory. Floor-to-ceiling windows frame rainforest scenes that shift hour to hour, and every space holds commissioned artworks by Peruvian artists.

The dining room’s centrepiece, Manto de Escamas de Paiche by Silvana Pestana, uses bronze and clay formations that mirror the scale patterns of the Amazon’s giant fish. Pestana’s works throughout the vessel reference environmental fragility, especially the scars left by illegal gold mining.

In each suite, hand-painted kené textiles by Shipibo-Konibo master artist Deysi Ramírez depict sacred geometry in natural dyes. Cushions by the BENEAI Collective feature 20 unique embroidered compositions, supporting Indigenous women artists and keeping traditional techniques alive in a meaningful, non-performative way.

Wildlife Without the Tame Script

Days on board are structured around early and late river expeditions led by naturalist guides. Guests may encounter pink river dolphins cutting through morning mist, three-toed sloths moving like they’re part of the slow cinema movement, and black caimans appearing at night like something from your childhood nightmares.

The prehistoric hoatzin appears along riverbanks, giant river otters hunt in packs, and scarlet macaws behave like the sky belongs to them. The arapaima — the same fish inspiring Pestana’s artwork — occasionally surfaces like an apparition.

Photo: Tom Griffiths

A Regional Culinary Lens

The culinary program is led by a team from Iquitos with deep knowledge of Amazonian produce.

Nightly five-course tasting menus lean into local ingredients rather than performing them. Expect dishes like caramelised plantain with river prawns, hearts of palm with passionfruit, and Peruvian chocolate paired with fruits that would be unpronounceable if you encountered them in a supermarket aisle.

A pisco-led bar menu incorporates regional botanicals, including coca leaf and dragon’s blood resin.

A Model of Conservation-First Tourism

Pure Amazon’s conservation approach goes beyond the familiar “offset and walk away” playbook. Through A&K Philanthropy, the vessel’s operations support Indigenous community-led economic initiatives, including sustainable fibre harvesting and honey production in partnership with Amanatari.

Guests also visit FORMABIAP, a bilingual teacher training program supporting cultural and language preservation across several Indigenous communities. Notably, the program enables young women to continue their education while remaining with their families — a rarity in remote regions.

Low-intensity lighting, heat pump technology, and automated systems reduce disturbance to the reserve’s nocturnal wildlife.

Photo: Tom Griffiths

The Experience Itself

Itineraries span three, four, or seven nights. Mornings often begin with quiet exploration along mirrorlike tributaries; afternoons allow for spa treatments or time on the open-air deck. Evenings shift into long dinners and soft-lit river watching as the rainforest begins its nightly soundtrack.

Granato describes the vessel as “a mysterious presence on the water,” its light calibrated to resemble fire glow rather than a foreign object imposing itself on the dark.

It is, in other words, slow travel done with precision.

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