Forget the Birkin: MAISON de SABRÉ Unveils The Palais
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Forget the Birkin: MAISON de SABRÉ Unveils The Palais

A bold new era for Australian luxury: MAISON de SABRÉ launches The Palais, a flagship handbag eight years in the making.

By Jeni O'Dowd
Thu, Sep 11, 2025 3:45pmGrey Clock 2 min

Luxury fashion’s next great icon has arrived, and it doesn’t come from the ateliers of Paris or Milan.

Eight years after reimagining the humble phone case as a luxury object, Australian disruptor MAISON de SABRÉ has unveiled its most ambitious creation yet: The Palais.

The Palais is the brand’s first flagship handbag, a permanent house signature that distils nine of its design codes into a single silhouette. According to Co-Founder and Creative Director Omar Sabré, it is “the most significant milestone in our craft language – an icon of the unconventional.”

Craft, Redefined

Sixteen months of design and six more of material development have delivered a handbag that sets a new standard for contemporary luxury. Each detail, from its sculptural teardrop gusset, first carved in wood, to its floating seam edged with suede, has been engineered with precision.

The bag is crafted from 100% LWG Gold-Rated DriTan™ calf leather, the most premium material the brand has used to date, and lined entirely in sueded leather. MAISON de SABRÉ has committed to a zero-waste ethos, incorporating upcycled accents and trims that marry indulgence with responsibility.

An Investment in Permanence

In a market defined by seasonal trends, The Palais is positioned as a piece of permanence. Built to endure, it has been designed to evolve through attachable charms, eyewear cases, and tech accessories, making it both timeless and adaptive.

The line debuts in two sizes:

Large ($949 AUD) in Cashmere Clay, Pecan Brown, Black Caviar, and Emerald Green

Medium ($749 AUD) in Cashmere Clay, Plum Red, Emerald Green, Black Caviar, Sandstone Brown, and Manhattan Orange

More Than a Bag

Alongside The Palais comes a suite of playful, functional accessories. The Petite Palais Charm, a miniature handbag for your handbag, holds everything from an Apple AirTag to AirPods Pro.

SABRÉMOJI™ Garden Bugs, handcrafted from leather offcuts, nod to nostalgic childhood discoveries, while the Sunglass Sling Case offers sleek utility with its detachable leather sling.

Global Stage, Australian Confidence

MAISON de SABRÉ has built a $100M luxury powerhouse without relying on traditional fashion gatekeeping, and more than 80% of its sales now come from international markets. This September, the brand debuted The Palais at Tokyo’s Miyashita Park alongside Louis Vuitton, Gucci, and Prada, followed by a residency at Paris’s legendary Le Bon Marché.

Co-Founder Zane Sabré puts it bluntly: “Heritage doesn’t guarantee relevance. The Palais proves you don’t need a century of history to create something iconic — you need conviction, execution, and a brand people actually believe in.”

Or, as Omar Sabré quips, “Hermès has the Birkin. We have The Palais. It’s not a comparison, it’s a challenge.”



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ITALY’S FINE WINES GAIN GROUND AS VALUE PLAY FOR COLLECTORS

Italian wines are emerging as a serious contender for Australian collectors, offering depth, rarity and value as French benchmarks continue to climb.

By Jeni O'Dowd
Tue, May 5, 2026 2 min

Italian fine wines are gaining momentum among Australian collectors and drinkers, with new data from showing a surge in interest driven by value, versatility and a new generation of producers.

Long dominated by France, the premium wine conversation is beginning to shift, with Italy increasingly positioned as a compelling alternative for both drinking and collecting.

According to Langtons, the category is benefiting from a combination of factors, including its breadth of styles, strong food affinity and more accessible price points compared to traditional European benchmarks.

“Italy has always offered fine wine fans an incredible range of wines with finesse, nuance, expression of terroir, ageability, rarity, and heritage,” said Langtons General Manager Tamara Grischy.

“There’s no doubt the Italian wine category is gaining momentum in 2026… While the French have long dominated the fine wine space in Australia, we’re seeing Italy become a strong contender as the go-to for both drinking and collecting.”

The shift is being reinforced by changing consumer preferences, with Langtons reporting increased demand for indigenous Italian varieties and lighter, food-first styles such as Nerello Mascalese from Etna and modern Chianti Classico.

This aligns with the broader rise of Mediterranean-style dining in Australia, where wines are expected to complement a wider range of dishes rather than dominate them.

Langtons buyer Zach Nelson said the category’s versatility is central to its appeal.

“Italian wines often have a distinct, savoury edge making them an ideal pairing for a variety of cuisines,” he said.

The move towards Italian wines also comes as prices for traditional French regions continue to climb, particularly in Burgundy, prompting collectors to look elsewhere for value without compromising on quality.

Italy’s key regions, including Piedmont and Etna, are increasingly seen as offering that balance, with premium wines available at comparatively accessible price points.

Nelson said value is now a defining factor for buyers in 2026.

“Value is the key driver for Australian fine wine consumers… Italian wines are offering exactly that at an impressive array of price points to suit any budget,” he said.

The category is also proving attractive for newer collectors, offering what Langtons describes as “accessible prestige” and a more open entry point compared to the exclusivity often associated with Bordeaux.

Wines such as Brunello di Montalcino and Nebbiolo-based expressions are increasingly being positioned as entry points into cellar-worthy collections, combining ageability with relative affordability.

At the same time, a new generation of Italian producers is reshaping the category, moving away from heavier, oak-driven styles towards wines that emphasise site expression and vibrancy.

“There’s definitely a ‘new guard’ of Italian winemaking… stripping away the makeup… to let the raw, vibrating energy of the site speak,” Nelson said.

Langtons is also expanding its offering in the category, including exclusive access to wines from family-owned producer Boroli, alongside a broader selection spanning Piedmont, Veneto, Sicily and Tuscany.

The company will showcase the category further at its upcoming Italian Collection Masterclass and Tasting in Sydney, featuring more than 50 wines from 23 producers across four key regions.

For collectors and drinkers alike, the message is clear: Italy may have been overlooked, but it is no longer under the radar.

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