Property of the week: 123 Gipps St, East Melbourne
A grand East Melbourne terrace with theatrical roots, reimagined by the late Sue Carr into a layered, light-filled family home.
A grand East Melbourne terrace with theatrical roots, reimagined by the late Sue Carr into a layered, light-filled family home.
Traditional Victorian-era terraces are famed for their theatrical façades adorned with intricate lacework and plenty of character. However, one historic home on Gipps St in East Melbourne has the ultimate dramatic street cred; it was designed by William Pitts, the architect behind Melbourne’s iconic Princess Theatre.
Pitts designed multiple Melbourne beauties, including St Kilda Town Hall, Queens Bridge, the Olderfleet building and the Rialto on Collins St, even the Wellington Opera House in New Zealand.
Crafted and built around 1870, prior to the completion of the Princess Theatre in 1886, this end-of-row terrace gained a new lease on life in 2019 when acclaimed architect Sue Carr AM was tasked with bringing it gracefully into the 21st Century via a four-year labour of love transformation.
Today, Kay & Burton agents Monique Depierre and Arabella Houghton are seeking between $10.5 and $11 million for 123 Gipps St via an expressions of interest campaign. The home was last exchanged for $4 million in 2012, before the extensive renovation.
In a pocket of East Melbourne where heritage overlays protect the character of the streetscape, the Victorian terrace was carefully reimagined to balance period elegance with contemporary comfort. Behind its striking white façade, Carr and her team created a series of layered spaces where period detail and modern function co-exist.
Carr has described her approach to the Gipps St property as “a journey of reduction.” By stripping back superfluous elements, to reveal the grandeur of Pitts’ original structure.
“The idea was to bring order and appropriateness of scale, respect for heritage, and outright contemporaneity to a Victorian terrace,” Carr has said when describing the home.
Central to that vision was light. The home is arranged across three zones: the restored terrace, a private courtyard garden, and a two-storey rear addition.
In the original front rooms, there are decorative cornices, ceiling roses and marble fireplaces. These classic old-world spaces with a modern makeover include a versatile music room, a library and a grand dining area.
Stepping through to the next generation of the floor plan, the heart of the home features a contemporary kitchen with a stone island bench and a hidden butler’s pantry fully-equipped with Gaggenau appliances.
The casual everyday family zone, complete with a cosy gas pebble fireplace, opens out to a bluestone-paved north-facing courtyard, where the current owners have created a calming retreat filled with bonsai trees and manicured landscaping.
Up on the first floor, all four bedrooms feature ample natural light and have built-in wardrobes. Beyond a statement pivot door, the main bedroom opens to a full-width private balcony overlooking leafy East Melbourne and has a walk-through wardrobe to an ensuite with a freestanding sculptural bath. One more bedroom has its own ensuite, while two more share a full family-friendly bathroom.
More than just a Melbourne terrace with an extension out the back, Carr’s transformation also includes a new zinc-clad rear addition that plays a dual role; it is a secure two-car garage with laneway access, that is also home to a self-contained studio above. Fitted out with its own kitchenette and bathroom, the independent space is an ideal guest suite, a home office or au pair retreat.
The modernised home boasts a long list of added extras, including honed limestone floors with underfloor hydronic heating and zoned climate control, as well as full security and custom lighting.
Close to green spaces, such as Fitzroy Gardens, Powlett Reserve and Darling Square, the East Melbourne house is within walking distance to the MCG, and city restaurants.
Listed with Monique Depierre and Arabella Houghton of Kay & Burton, 123 Gipps St, East Melbourne, is on the market with a price guide of $10.5 million to $11 million. The expressions of interest is closing on October 28 at 12 pm.
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A century-old warehouse reborn as a $19 million inner-city sanctuary, The Pigeon Shed blends gallery-scale drama with family living in a bold architectural reinvention.
Behind an unassuming brick façade in Chippendale, The Pigeon Shed is a Sydney warehouse that rewrites the rulebook on inner-city renovation. Part gallery, part residential sanctuary, the former atelier that earned its nickname thanks to a colony of wild birds that once called it home is today an architectural anomaly.
Owned by creative director Beau Neilson, the daughter of billionaire arts patron Judith Neilson and fund manager Kerr, the transformed 1914 industrial shell has been an artistic labour of love for the owner of The Vanguard in Newtown, reimagined alongside the team at MCK Architects.
Purchased in 2012 for $3.1 million, Neilson transformed the one-time dilapidated shell over a decade.
Since then, the five-bedroom, four-bathroom Chippendale property has appeared in several architectural publications, such as Habitus, Architizer and The Design Files, celebrated for its unique blend of steel, timber, marble and concrete surfaces coupled with its intelligent use of space.
The savvy reinvention of the compact 324sq m corner block footprint has resulted in 735 sq m of internal and external living space across three levels.
Although selling agent Shannan Whitney of BresicWhitney is not publicly commenting on the price guide, the home is reportedly being shopped around for about $19 million.
The one-time soap factory is being traded in by Neilson for a $20 million waterfront estate she recently bought in Double Bay, according to news reports.
The contemporary home features gallery-sized entertainment zones with dramatic high ceilings, vertical gardens and landscaped courtyards that allow for oodles of natural light and private gatherings inside and out.
The main living level houses a vast gourmet kitchen featuring a dramatically long island bench, a hidden butler’s pantry and an internal courtyard that flows seamlessly to an indoor pool. On the same level, a family room also adjoins a second internal terrace.
A unique copper-clad elevator joins all three floors, including a lower-level lounge room, a library with a secret door to a guest bedroom suite, and a separate study.
The top-level layout has three more bedrooms incorporating the upper-floor primary wing with a full-width street-facing terrace, a designer ensuite and dressing room. Each of the two remaining bedrooms has its own en-suites and shares a grand landscaped side terrace.
Additional features include a built-in solar system, hydronic heating, exposed beams and original brickwork.
Located within a short walk to UTS, Broadway, and Newtown cafes and restaurants and the CBD.
The Pigeon Shed at 42-44 Pine St, Chippendale, interest campaign with Shannan Whitney of BresicWhitney.
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