PORT DOUGLAS ICON LISTS $7M LUXURY VILLA
Local icon John Morris is selling Villa 15 from his luxe Escapes Collection in Port Douglas, an architect-designed, five-bedroom villa with a wraparound pool and bold tropical style.
2 min
Local property icon and Far North Queensland developer, John Morris, is offloading one of his luxury villas in Port Douglas.
The 97-year-old, known as “Mr Port Douglas” thanks to his efforts in putting the coastal town on the tourism map, has recently completed a $50 million 17-villa development known as The Escapes Collection on Rachel Carson Lane in the popular holiday town.
Morris has been credited with transforming a sleepy seaside village into a thriving holiday hotspot after developing the Radisson Treetops Resort, the Toressian Resort (now known as Reef Resort Villas), and Cayman Villas.
Port Douglas’ most well-known hotel, the Sheraton Mirage, even bears Morris’s stamp after he collaborated on the development with Christopher Skase before the infamous businessman’s downfall.
Now Villa 15 of The Escapes Collection has hit the market with $7 million price expectations through Queensland Sotheby’s agent, Caroline Yarr.
The FIRB-approved residence is one of a collective developed by Morris’ family business, which counts his daughters among the team, with Janet as interior designer and Wendy in marketing.
Nine homes in collection have already sold, achieving prices between $3.65 million and $7 million. Sold to buyers from Sydney, Melbourne, New Zealand and South Australia, the glamorous holiday homes are earning as much as $2500 a night during the high season for a four-bedroom villa.
Fully furnished down to the linens and featuring hand-picked artwork by local artists, the grand residence is a turnkey property.
Several of the villas, including number 15, were designed by Gary Hunt, a renowned Port Douglas-based architect who specialises in island resorts and has lent his talents to rich lister Tim Gurner’s high profile projects such as The $250 million resort development, The Davidson on the site of the old Dougie’s backpacker hostel.
As a brand-new villa, the five-bedroom home combines bold contemporary bold aesthetics with its lush tropical setting to create a holistic Far North Queensland retreat.
Hunt’s savvy north-facing design, together with the bespoke interior design featuring unique pieces throughout, results in a modern footprint perfectly curated to its surrounds and northern Queensland climate.
The signature element of the property is its wraparound pool and all-weather alfresco spaces that seamlessly connect with inside living areas.
Inside, there are raw concrete and stone feature walls matched with spotted gum timber ceilings, as well as European oak, Italian porcelain Terrazzo and natural sisal carpeted floors.
At the heart of the floor plan, the family-friendly kitchen features Siemens appliances, an integrated fridge and freezer, Corian benchtops, and a unique Verde Luana marble splashback. For alfresco entertaining, the villa also has a complete outdoor kitchen.
Additional features at Villa 15 include a Savaria 4-person lift, Navurban sustainable timber laminate joinery, Astra Walker custom-made iron bronze tapware, Asko laundry appliances, remote-controlled blinds, pure linen curtains, ducted air-conditioning, solar panels and a double garage.
Select villas are designed by Gary Hunt, a renowned Port Douglas-based architect specialising in island resorts.
Melbourne developer and rich lister Tim Gurner have also engaged Gary on his Port Douglas developments, including three premium residences on ‘the hill’, which will set the benchmark for FNQ luxury residences, as well as the residential/resort development on Davidson Street.
Find out more about Villa 15, The Escape Collection Port Douglas at Queensland Sotheby’s, Port Douglas.
For Central Element, the start of work at Pearl represents another step in the company’s growing eastern suburbs pipeline.
All three vehicles will form part of a broader charitable initiative benefiting Big Brothers Big Sisters of America, the American Red Cross and Starlight Children’s Foundation
Jack Freeman believes the most compelling interiors are not decorated, but collected. The FREEMAN & CO founder creates layered, personal spaces shaped by art, travel and craftsmanship.
4 min
For Jack Freeman, a compelling interior should not look as though it was completed in a single shopping trip.
The founder and designer behind FREEMAN & CO prefers rooms that develop through art, travel, commissioned furniture and objects collected over time. It is an approach that treats the home less as a decorative project and more as an evolving portrait of its owner.
“I am a true believer in collecting versus decorating,” Freeman says.
That distinction underpins the international practice he has built across private residences, hotels, property developments, yachts and private aviation. Its projects stretch from Point Piper, Vaucluse, Circular Quay and Toorak to Mayfair, Bel Air and the Caribbean.
Although the locations and architecture vary considerably, the work is connected by a restrained design language. Natural stone, warm timbers and sculptural furniture establish the foundation, while art, bespoke lighting and individual objects give each interior its identity.
The objective is not to overwhelm a room with obvious symbols of expense. It is to create an environment that feels calm, layered and particular to the people living within it.
“The greatest luxury isn’t about excess,” Freeman says. “It’s about creating an oasis where you come home and feel immediately grounded — effortlessly chic and deeply personal.”
Collecting instead of decorating
Decorating can imply the completion of a room: selecting the required furniture, filling the available walls and producing a coherent finished image.
Collecting is less conclusive.
A collected interior has room to change as its owners travel, discover artists, inherit pieces or reassess how they use their home. Its character comes from the relationship between objects rather than adherence to a single brand or season.
That does not mean placing unrelated pieces together without discipline. The designer must understand scale, proportion, material and provenance well enough to create a dialogue between them.
A contemporary artwork might sit beside a historic piece of furniture. A precisely detailed new interior may be interrupted by an irregular object made by hand. Smooth stone can be balanced by timber, textiles or a patinated metal surface that becomes richer with age.
The tension between those elements is part of the appeal.
For Freeman, art is not an accessory to be added once the furniture plan is complete. It forms part of the architecture and atmosphere of the room from the beginning.
Lighting is considered in the same way. Beyond its practical purpose, a bespoke fitting can operate as a suspended sculpture, changing both the room’s composition and the way its materials are experienced after dark.
A design perspective shaped by travel
International travel plays a significant role in Freeman’s creative process.
Design fairs such as PAD Paris and Salone del Mobile in Milan provide opportunities to encounter emerging designers, established galleries, new materials and collectible furniture away from the filter of social media.
More spontaneous discoveries can prove equally important.
“Sometimes it’s the simple things,” Freeman says. “That piece found on a shopping trip with a client in Paris, stumbling across an artisan’s workshop, or a special memory that forms the narrative of the story.”
Objects selected during travel bring more than visual interest into a home. They carry an association with a place, maker or experience, giving the client a connection that cannot be reproduced by ordering an entire interior from a catalogue.
Freeman’s influences are international, but his projects are not conceived as replicas of Parisian, Milanese or Californian style. Each commission responds to its architecture, setting, natural light and the daily lives of its occupants.
A waterfront Sydney residence demands a different treatment from a Mayfair townhouse. A Caribbean estate shaped by brutalist architecture and reflecting pools calls for another response again.
The designer’s role is to absorb those references without allowing them to overwhelm the individual qualities of the property.
Designing the complete experience
FREEMAN & CO extends beyond conventional interior decoration.
The practice’s stated services include interior design and architecture, project management, property acquisition, development advice, concept design, documentation, furniture and lighting design, procurement and art curation.
That breadth allows the team to become involved before a room’s dimensions and finishes are fixed.
Early participation can be important at the top end of the residential market, where architecture, landscape, interiors, technology and art must operate as one environment. Decisions about ceiling heights, wall dimensions, sightlines and lighting can directly affect where art is installed or how custom furniture is proportioned.
The practice can then carry those decisions through to procurement and final installation, maintaining the design narrative as a project moves between architects, builders, specialist craftspeople, dealers and suppliers.
Its residential portfolio includes a South Coast retreat conceived as an escape from urban life, a Caribbean estate with reflecting pools, an East Coast-inspired Palm Beach residence and a Mayfair townhouse organised around an expressive drawing room.
The studio also says it has worked on highly tailored Sydney residences with values exceeding $100 million, although the private nature of such commissions means individual addresses and clients are not always disclosed.
A home that can keep changing
The risk in creating a perfectly resolved interior is that it can become too static — a composition that looks exceptional in photographs but leaves little room for life.
Freeman sees the home as something that should evolve with its owners.
“I love the evolution of design,” he says. “We are talking about people’s lives, and as they evolve, so too should their private sanctuaries.”
That evolution might involve adding art, reupholstering a significant piece, adapting rooms as a family changes or making space for objects gathered through future travels.
The original design needs to be strong enough to accommodate those layers.
This may be the clearest expression of Freeman’s approach to luxury. It is not simply access to rare stone, collectible furniture or commissioned craftsmanship. It is the creation of a personal environment whose meaning deepens rather than diminishes with time.
Fact box
- Designer: Jack Freeman
- Role: Founder and managing director
- Practice: FREEMAN & CO
- Base: Australia, with international projects
- Project locations named by the practice: Point Piper, Vaucluse, Circular Quay, Toorak, Palm Beach, the NSW South Coast, Mayfair, Bel Air and the Caribbean
- Sectors: Private residences, hotels, residential developments, private aviation and superyachts
- Services: Interior design and architecture, property development, project management, property acquisition, documentation, furniture and lighting design, FF&E procurement, interior dressing and art curation
- Design philosophy: Collected, personal interiors shaped by art, craftsmanship, travel and enduring materials
- Website: free-man.co
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